Yohaku – white space

Yohaku – white space

Hi, or should I say こんにちは Konnichiwa ? Dave and I went up to London today, to visit an exhibition of beautiful art and craft at Japan House in Kensington High Street.

The Exhibition is called Hyakko. 100+ makers from Japan contribute to a collection of almost 2,000 beautifully hand-crafted pieces. Mostly ceramics, which was like heaven for me. Clay, glass, wood, leather, metal and bamboo actually, but primarily ceramics. Exquisite work.

There is an energy in the gallery that is difficult to put into words. These are everyday objects, yet they carry an extraordinary depth of spiritual beauty and a quiet confidence born of human skill. Nothing shouts for attention; instead, each piece invites you to slow down, look closer, and sense the care, discipline and intention embedded within it. Function and beauty are inseparable here – the ordinary elevated through respect for materials, process and time. I want to go back again. The exhibition is on until May, so I shall. I felt privileged to be there. And it is free.

At the entrance, a glossary of Japanese words and expressions is written on the wall. I found myself lingering there, reading and absorbing every one – right up my street. It was striking how deeply those ideas resonate with our SHAC and Clarity ethos: attentiveness, repetition, care, and finding meaning in the everyday. I loved that wall too.

Here is one such expression that I was particularly drawn to:

Yohaku. White Space

In Japan an unfilled area is not only empty, but an active space that invites imagination. In paintings or on vessels, this space stimulates personal interpretation, bringing flexibility and a sense of enrichment to daily life.

Love that. Let’s encourage a little less noise and a little more Yohaku in our art.

There were a few pieces for sale upstairs in the gallery shop. A rather formidable Kintsugi Vase caught my eye…cost a pretty penny too. Ouch. Very, very beautiful though.

I’ll make one, then drop it, then kintsugi it, then see if I get any takers at the Open Days!!!

I am so filled with joy and inspiration, all I want to do is get out in the garage and throw a bowl. Today’s exhibition filled me with awe, and honestly, a few of my best pieces would have sat quite well in there. It excited me to think that. But that was the magic of the gallery: beauty in everyday things.

Have a great weekend! Or as the Japanese would say…Yoi shūmatsu o!

Love and Clarity

Barb x x x

21 thoughts on “Yohaku – white space

  1. Sounds like a great day out.
    Glad you are enjoying your pottery. I think you could make some great Kintsugi pieces.

  2. Funny, I was only thinking today if you had managed to get into the garage and make some pots! Those Japanese ones are gorgeous! Such clean lines. The words have good explanations too that seem logical! How lovely that it was free to see! If only it wasn’t so expensive together to London nowadays! Still, one can dream!
    Have a good weekend.

  3. Wow, that’s incredible. As you say that certainly was right up your street.
    I love the philosophy of Kintsugi. A couple of years ago I was fortunate to be able to attend a Kintsugi Wellbeing course. It ran for about 10 weeks. Each week focused on something different. The idea being that we can go through certain things in life which affect us greatly. It showed how to cope/adapt to each circumstance. The idea being that people can be broken but can be put back together again and become a better/stronger person.

  4. Wow what a fabulous was to spend a dreary, weather wise, day and even better that it was free to enter. I bet you can’t wait to get back into the garage and fire up the kiln again. Have a great weekend doing what you enjoy best.

  5. Looking at the pots & other articles above the exhibition must have been great but I think yours are equally as good. The Kintsugi vase looks fabulous & look forward to seeing your version in due course. My little pots & the bird on a log are waiting patiently to be unpacked & put back on display, hopefully not too long now.
    The one set looks like pebbles with lots of rubber bands around them, takes me back to work when we used to keep them tidy by adding them to a ball on the desk. Then when we needed one they were easy to find.
    The Japanese always seem to have lovely sayings & use them with symbols.

  6. Once my dad is settled next week, I might just take a trip to that exhibition before I go back to Inverness. The pieces look just exquisite and I’m glad you found inspiration and delight on your visit xx

  7. Barb, if you make a special vase for the Open Days, you’ll probably have to hold an auction as there would be many who would love to own an original Barbara Kintsugi vase. There is something so inspiring in that style of ceramics – beauty from broken art, order from the chaos, calmness within the cracks.
    I look forward to seeing what inspiration you have taken from that amazing exhibition, and maybe we’ll see some new products in the Clarity and PinkyGray ranges.

  8. Hi Barb, that looks absolutely amazing, something to remember certainly. Would love to give Kintsugi a go. Glad you had the opportunity to go and I am sure we will see some ideas coming out of it. Bx

  9. Wot Ken said……
    Thank you for sharing . Your beautiful photos show a lovely selection. Glad you had a good day xxx

  10. Hi Barbara
    I have sent this on to Olivia, remember she was asking you about your Kiln at the open day. She now has a new shed in her garden for her pottery and is saving up for a larger Kiln, She has 2 more Pottery painting courses in February, see her on Endoracreative.com, she is also having a new website being made.
    Love Janet Cummings xx

  11. Barbara, another wonderful blog.
    Your writing and storytelling are admired and appreciated. So inspiring hearing about your experience and thanks to you- I continue to learn more about Japanese life.
    Sounds like an fantastic exhibit to experience- unfortunately too many miles across the pond to travel😀.
    Totally agree with Ken’s words about your pottery.

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